Results tagged “washingtonensembletheatre”

The hipster spaceman costumes of the soldiers in Titus are your first clue that this isn't a traditional take. So too with the decision to exsanguinate Shakespeare's goriest play--each character “bleeds” red, but it's not stage blood, but rhinestones, thumb tacks, feathers, even gummy worms.

DOWN ON THE CORNER: The Corner, our favorite one monthly live hiphop night down at the Rendezvous, has its one-year anniversary tonight. (Already?!) As usual, Oldominioner Candidt has put together a stellar line-up: JFK of Grayskul, Silent Lambs Project with Lisa Loud, and UW reps Rudy & The Rhetoric; he'll also throw in a set of his own. So solid. We've been looking forward to this for months now!

We have to start here by jumping in and saying that this is easily one of the most exciting weekends of theatre we've seen in town in months--two festivals running, genre-breaking opera, ballet crossing over into Broadway show tune territory, two shows that have had their runs extended (, you've lost your bloody mind. It doesn't get better than this!

The Ten Thousand Things is a play by Seattle playwright Paul Mullin, showing at WET through June 16. Tickets are $15 general, $10 students/seniors. Shows are Thursdays through Mondays.

8pm Thurs-Mon, through June 11; Tickets $18 general/$10 students, seniors

This Saturday offers at least three ways to make a difference in Seattle, or at least look like you care whilst furthering your own selfish interests.

ART: Roq La Rue hosts Detroit's celebrated lowbrow underground artist Glenn Barr for the signing of his new hardcover book Haunted Paradise.

We didn’t see In DisDress, Marya Sea Kaminski’s one-woman show, when it was part of On the Boards' Northwest New Works Festival last June, but from what we gather, it involved a huge red dress, a television set, and porn. The Washington Ensemble Theatre restaging of that show, In DisDress Now Redux, doesn’t involve any of those things (though porn does get a shout out), and the title primarily exists to allow for the Apocalypse Now reference. Though originally intended to be an expansion of last year’s show, this performance is completely different. As the playwright explains, “I am not capable of and am absolutely not interested in being the person I was seven months ago, even in performance.” Fair enough.

THEATER: You have only five more chances to catch WET’s latest offering, In Disdress Now: Redux. Marya Sea Kaminski’s one-woman show was originally developed as as part of On the Boards' Northwest New Works Festival in June 2006. Now the “story of a girl wrestling meaning out of love, porn, and the folds of an enormous red hoop dress” has been expanded into a full-fledged tour de force.

MUSIC: The grandfather of punk (and thus the great-grandfather of indie rock) Jonathan Richman is in Ballard at the Tractor tonight. You might recall his song "Roadrunner" in the School of Rock soundtrack or you may recognize his influence in every rock band everywhere since the mid-60s.

In the final show of its second season, the Washington Ensemble Theatre tackles a question for the ages: The answer is not so much a play as a series of ruminations, borne of an open-ended actor's game in which several of WET's founding members (amongst other UW theater students) participated. The ensemble developed it further over the past year into the work as it now stands, buoyantly directed by Marc Kenison and playing until May 29th.

It's Mother's Day weekend. Some people say we should remember our mothers all year-round, not just on a single day. But we do! With yo momma jokes! Seattlest contributors share their favorites, along with their plans for enforced family togetherness.

While there are other characters in Swimming in the Shallows---a lesbian couple ready to get gay-married and a straight couple whose marriage is falling apart over the literal number of things they own---as far as we're concerned, this is the "gay sharkboy" play. Or at least, the love story between a man and a shark is the plot point everyone seems to cite when it comes to this production, currently showing at the Washington Ensemble Theatre. Quirky and engaging, quite simply, this is the funniest play we've seen in a long time.

On Friday night Seattlest caught the Washington Ensemble Theatre's production of Crave. Not to be confused with one of our favorite restaurants in town, this play is the handicraft of Sarah Kane, a brilliant, troubled artist who spat out five intense and violent works before hanging herself at age 28. The marketing we've seen for the play would like you to think that the play is "sexy and brutal." Make no mistake---this play is definitely brutal, but focusing on the topic of sex does not automatically make something sexy. Crave is certainly anything but.