Te haré invencible con mi derrota is a brutal yet beautiful exposition on the struggle of matter against spirit, of artistic ideals against terrestrial reality. It is a contemporary expression of the idea of Antonin Artaud that theater needs to be cruel, dangerous and above all purifying beyond the bourgeois idea of catharsis that makes so much of Seattle theater insufferable. more ›

Absurdistan is an allegorically rich comedy care of witty German director Veit Helmer and filmed in the former Soviet republics of Georgia and Azerbaijan. In the tiny titular land, a war of the sexes break out when the local aqueduct ceases to work, and the men are too lazy to fix it. The women declare a strike--no water, no sex--and two childhood sweethearts find themselves feuding instead of consummating their long-standing love. Looks like it's up to the kids to fix the water pipe and get everybody laid. Helmer directs this charming, mostly dialogue-free little film with childlike wonder, with shades of Jeunet in his use of fanciful contraptions, like a gondola on pulleys flying over the town. more ›

The Seattle P-I reports that Tay Yoshitani, who will succeed Mic Dinsmore, "was the Port of Seattle Commission's unanimous choice from more than 70 possible candidates generated during a 6-month-long national search." Does this mean he'll help the Port understand that it's not got a monopoly, as Bill Virgin was saying the other day? more ›