If you’re gonna make an album with orchestral arrangements care of living legend composer Van Dyke Parks, you’re gonna have to go all out to perform it right. That’s why the first half of super English major/elven queen Joanna Newsom’s grandiose show last night at Benaroya Hall featured the accompaniment of local 29-piece chamber orchestra the Northwest Sinfonia to cover her last full-length, the epic five-song masterpiece Ys ("ees"). It’s not hard to recreate a lushly recorded album when you’ve got the combination of the Sinfonia, Newsom’s three-person touring group---which she’s termed the "Ys Street Band"---and Newsom plucking complex polyrhythms (and making it look easy) on an ornate harp, itself a work of art.
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Jason Holstrom may be known as a founding member of two local bands, Wonderful and United State of Electronica, as well as a producer for such acts as Dolour and Aqueduct, but now he's got a new group up his sleeve: The Thieves of Kailua, a one-man island-pop project. Through its sunny surf sounds, layered loungey vocals, and a mixture of production techniques both old and new, the self-titled album evokes a Hawaiian vacation--starting with the visitor's first enchanting aloha, the typical tourist encounters, and a brief brush with the titular thieves, all the way to a bittersweet "Hula-Bye." We spoke to Jason about his island adventures on the cusp of the Thieves of Kailua's CD release show: Thursday at Chop Suey, $8, doors 9pm, 21+.
Joanna Newsom---child-voiced chanteuse/classically trained harpist/hyperliterate woodland nymph---took the stage at the Showbox last night looking just as we expected: with long, flowing hair and donning a red garment more nightgown than dress. Climbing behind her harp, she was totally Holly Hobbie at the renaissance faire. She kicked off her set solo by launching into "Bridges and Balloons" and "The Book of Right-On," both off her first album, before playing a traditional Scottish tune. Cradling the harp against her body, she delicately caressed, plucked, palmed, and stroked the strings, each technique creating a distinctly different tone.

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