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Seattlest at TIFF:  Final Cut Pro

Seattlest at TIFF: Final Cut Pro

Well, after two full days of filmery, we made it back from Toronto in one piece, but not before seeing our last movie of the fest, Sean Penn's powerful adaptation of Into the Wild, Jon Krakauer's mega-selling non-fiction book about the insatiable wanderlust that led a young man to drop out of society, tramp around the country for two years, and ultimately die alone in middle-of-nowhere Alaska (for a more detailed summary, check out the paperback's cover). more ›

Seattlest at TIFF: Take One

Seattlest at TIFF: Take One

One film you won't find on 2007's best-of lists is the first movie we caught on Saturday night, Nothing is Private, the debut feature from American Beauty-scribe/Six Feet Under-creator Alan Ball. It's not that his adaption of Alicia Erian's semi-autobiographical novel Towelhead--the coming-of-age story of a seriously messed-up thirteen-year-old girl living with her strict Lebanese father in early 90s suburban Texas -- is bad, just fundamentally flawed. We just didn't buy that an adolescent so used by nearly every person in her life would be so relatively undamaged, though we did appreciate Ball's restraint in not further abusing a victim via exploitative camerawork. Issues of post-traumatic stress disorder aside, big ups to the ensemble cast, including a hugely pregnant Toni Collette, a seriously conflicted army reservist/creepy racist Aaron Eckhart, and dynamic newcomer Summer Bishil as the young girl at the heart of this darkly comic, occasionally absurdist tale.
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