Results tagged “theend”

It may not feel like summer in Seattle, but tomorrow afternoon is The End's Summer Camp II at Marymoor Park. It's a mix of the good (Nada Surf, MGMT), the bad (Flogging Molly, Pennywise), and the emo-ey (Armor for Sleep). Meanwhile, all weekend long Noise for the Needy marches on, raising money for Urban Rest Stop. Come tomorrow night, it's Matt and Kim, YACHT, and local band Feral Children at Neumo's. Here's a clip of the ferociously experimental indie Sarathan quintet.

Last we talked with Carrie Akre, she was gearing up for the release of her latest CD, Last the Evening. Now, a couple of months later, the CD is officially out, and Akre is buzzing from the aftermath. Indeed, most of us music critic types have had nice things to say about the disc, which showcases her exuberant, imagery-laden lyrics and alt.country sensibilities, and shows off the great musicianship of her backup players. We...

, and though we didn't exactly rush out and buy his record, it was a good scene.

Hey, whaddya know? There's another show worth your attention at the Sunset this week. Tonight it's Irish singer-songwriter Fionn Regan. Yeah yeah, we know what you're thinking: "Another singer-songwriter? Just look at him, all broody with messed-up hair strumming a guitar in an alley." Truth be told, we usually avoid the genre as a whole, since most singer-songwriters run the gamut from boring hippie to boring douchebag. But in this case, don't be so easy to dismiss.

Laser Rocket Arms hates it when we call them "the new Husker Don't."

Oh, the Northwest New Works Festival is back this weekend and it's promising to be another fantastic installment of our favorite annual creative mindfuck. This year’s festival offers 4 showcases, featuring 18 artists and performance groups and spanning two weekends at On the Boards.

When Seattlest received that fateful email from a friend, our immediate reaction was a roll of the eyes and an audible, drawn out, "Bull shit." No way would the one and only Beastie Boys play the legendary but very wee Crocodile Cafe. No way. Then came the Ticketmaster link all but confirming it. The Croc's website kept mum, not listing the show at all. Supposedly The End had been talking it up, but we wouldn't know since we haven't listened to that station since discovering KEXP years ago. A click of the mouse fractions of a second after tickets went on sale and we were in. Many of our friends and most of the Seattle area weren't as lucky. A quick check on Craig's List and Ebay showed that scalpers had done some of the immediate damage. Venting ensued.

Go see Parsons Dance at the Meany tonight or Saturday. You should go to watch one man perform one solo, and you will thank Seattlest for telling you to do so. In all our many years spanning from actually being a dancer to attending countless modern dance performances, we have never in our life seen anything such as Parson's 1982 work Caught. (That we had never seen it, much less heard of it until now, is pleasantly humbling.) Thursday night, it was performed by Jeremy Smith, a newcomer to the company. You may not have the good fortune of seeing Smith in action, as two other dancers will likely take his place Friday and Saturday. And while we're certain those performing it tonight and Saturday will be skilled, and you will indeed still thank us, we saw them on stage with Smith in other pieces, and we know that he is lightning incarnate.

A hot tip just arrived in our inbox. It's about a bill that was proposed in the House in Olympia yesterday that would enforce some transparency into ticket prices.

*Carrie Clark mp3s here.

AUTHOR, AUTHOR: Barbara Ehrenreich talks about her book Dancing in the Streets, in which she explores the desire for collective joy (see photo), historically expressed in ecstatic revels of feasting, costuming, and dancing.

"We Never Like Talking About The End" opened at On the Boards last night and we just picked up tickets for Saturday night, too. It's an evening of song (here's our favorite), dance, and video that makes you laugh out loud while contemplating your mortality. Think of a bitter, buttery morsel of dark, dark chocolate.

Love Bumbershoot, but wish it were more elitist? You're in luck.

-Bombs Over Bahgdad Jim McDermott will be guest hosting on KIRO radio while Dave Ross is on vacation.

We tried to keep an open mind for last Thursday’s show at Neumo’s (featuring The Cops, Amusement Parks on Fire, Silversun Pickups, and Nine Black Alps). Sometimes, however, you know things well in advance, like that perhaps you’re too well-versed in rock to hear what all the kids are hearing in these new shit-flavors of the month bands because you’ve already found those hundred or so bands, that to you, started it all. And because it’s being presented by 107.7 The End, a station you haven’t listened to since high school.

Payola: In the music industry, the illegal practice of record companies paying money for the broadcast of records on music radio is called payola, if the song is presented as being part of the normal day's broadcast.

-Yep, Seattlest will be all about the fine livin' in '06. Minimum wage in Washington is going up 28 cents on January, 1, to $7.63 an hour.

The Seahawks are 6-2. Happy times! Let's let visions of Super Bowl rings and Gatorade showers dance through our heads.

Seattlest, as promised a few weeks ago, recently saw The End of the Affair (by Jake Heggie) at Seattle Opera. We went the last weekend, and we didn’t tell you about it, but here’s the thing: in our opinion, if you missed it, you didn’t miss much. It was well-sung, the sets were quite nice, and we were entertained. But. In this case, the contemporary music did not do it for us. There were few arching melodies, no show-stopping arias. And without those, opera becomes – even to us, aspiring opera singers that we are – boring.

The summer’s dearth of classical music is finally over. In fact, there’s so much happening around town we may have trouble fitting it all in without overwhelming you.

There's nothing that excites Seattlest quite like the firing of a local DJ and the subsequent online airing of the laundry that inevitably occurs. While we apologize for getting this to you at this late date, we enthusiastically invite you to take a peek behind the faceplate and inside the reeking mess that is corporate radio.

The final day of Bumbershoot (last Monday, September 4th) usually brings out the biggest crowd (well, at least it did last year with the Pixies headlining). This year’s main stage headliners, the reformed punk legends Iggy Pop and the Stooges headlined with local grunge kings Mudhoney warming up the crowd for them. While it was a little more crowded than the previous days of Bumbershoot - it was nowhere near as packed as it can be. Less crowded always equals better Bumbershoot. Here were our highlights of the day: