Jeremy: You know, I find it kind of funny: for a show about how theater screwed up, there was very little discussion of how theater is relevant. Mike Daisey seemed to concentrate exclusively on one aspect of the U.S. theater industry--the big regional theaters, like Seattle Rep or the Oregon Shakespeare Festival--and blamed them for their strange business choices. Not that he doesn't have a point, but it seems to dodge (or presuppose) the question: what does theater do that's so important? I have my own thoughts on the matter, but really, Daisey seemed to take it as a given.
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Results tagged “shakespearefestival”
Continue reading "American Theater: Not Dead Yet? A Seattlest Debate"
As we were saying the other day, the Seattle Rep is producing a play next season by playwright (actor, screenwriter) Robert Schenkkan, who lives in Seattle and whom we first met at Victrola. (You know him for authoring the magisterial The Kentucky Cycle, or from his appearance on Star Trek: TNG or in Pump Up the Volume.)
Continue reading "Seattlest Interviews Playwright Robert Schenkkan"
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