"Don't Go There" could well be the subtitle of this production by Seattle Opera of Bela Bartok's one-act opera, composed in the last days of the Austro-Hungarian empire and the first days of a new, post-Wagnerian musical order. Onstage, the proscenium is surrounded by a Klimt-like gilt frame; in the pit, an orchestra of 100 musicians play harsh, unfamiliar tones without melody. more ›