If it's not a great Gatsby, we can blame F. Scott Fitzgerald's preference for establishing mood at the expense of story arc. The good news is that this production revels in atmosphere: Tom Lynch's pitch-perfect set design and Jane Greenwood's gorgeous '20s costumes -- combined with Scott Zielinski's dreamily radiant lighting -- conjure up exactly the right nostalgia for a time that never was. We could have done without the itinerant saxophonist, whose bluesy wails belong in the adaptation of a novel by Saul Bellow, not Fitzgerald.
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Pretty Good Gatsby Romances The Rep
On Naghib Mahfouz
Local novelist Pauls Toutonghi wrote in with his thoughts about the death of Nobel Prize winning author Naghib Mahfouz.
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