SIGN LIGHTING PARTY: The original sign, in place since 1930, is damaged beyond repair. The new sign is made from environmentally responsible materials and is 90% more energy efficient. The new sign will be lit for the first time tonight.
SIGN LIGHTING PARTY: The original sign, in place since 1930, is damaged beyond repair. The new sign is made from environmentally responsible materials and is 90% more energy efficient. The new sign will be lit for the first time tonight.
BYRNE BABY BYRNE: David Byrne is back in town for a visit to the Paramount. Famous in his heyday for biting the heads off bats in his over-the-top metalhead shows...wait that doesn't seem...where's that bio again? Ah. Yes, the former Talking Heads front man is on a summer tour, playing songs by himself and Brian Eno. You'll hear stuff from Everything that Happens will Happen Today, and some back-catalogue Heads music than Eno had a hand in. Something old, something new, what's not to like?
Frost/Nixon plays tonight at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 1 and 6:30 p.m. at the Paramount Theatre. Tickets are $18-$60 plus fees.
Flight of the Conchords are performing three nights at the Paramount Theatre next week and if you get off your sugar lumps and get moving, you've still got a good chance at getting tickets for you and the most beautiful girl (or boy) in the room.
It feels like the dance event of the year--three performances of Mozart Dances by the Mark Morris Dance Group at the Paramount, this Friday, Saturday, and Sunday (tickets: $35-$75 plus fees). See the preview video here.
GLUTEN FREEDOM: Dr. Stephen Wangen, founder of the IBS Treatment Center, has a new book out called Healthier Without Wheat: A New Understanding of Wheat Allergies, Celiac Disease, and Non-Celiac Gluten Intolerance. As you can tell from the title, his contention is that you don't have to have celiac disease to be gluten intolerant. Personally, we are disturbed by intolerance of any kind, so we are glad to hear that he's working on a cure--what? Just don't eat wheat?
THE SEARCH FOR ALANIS: Is over. She's appearing at the Paramount Theatre tonight for a show that has to be in part an extended post-election celebration. Honestly, we haven't listened to Flavors of Entanglement yet, but come on, who has? Besides, she never responds to our emails. Join the Alanis faithful and boo that one guy from Two Guys, a Girl and a Pizza Place. Van Wilder or something.
FACT: The Seattle Cinerama is not Seattle's original Cinerama. That'd be the Paramount, which sacrificed 1600 seats to fit the screen and three projection booths required. They screened Cinerama films from September 1, 1956, to January 26, 1958. The Cinerama we know and love today opened January 24, 1963, as the Martin Cinerama. (The Paramount twice installed and removed CineMiracle, a rival technology that never took off.)
Seattlest likes to put on a party-planner hat for you every once in a while (we blame it on unresolved "feelings" stirred up by Julie from the Love Boat). Tonight we've got a one-two punch all lined up, centered around a screening of the silent-era Zorro, with Douglas Fairbanks, at the Paramount (7 p.m., $12). The more we watch Fairbanks, the more certain we are that he invented parkour back in the 1920s. Watch this three-minute YouTube excerpt from Zorro to get in the mood. However, be warned that the tinny soundtrack you hear is in no way comparable to the magnificence of the Paramount's majestic Mighty Wurlitzer organ, helmed by Dennis James. The food and drink to complement this evening's imaginary expedition to Mexico are waiting at The Saint, which is conveniently a walkable distance from the Paramount—and depending on how enthusiastic you are about sampling the Saint's tequila cocktails, walking might be a legal requirement.
For those of you without tweens, HSM is the story of smart Gabriella and jock Troy, teens from different high schools who meet during their winter break, sing some karaoke together at a ski lodge, exchange cell numbers, and go back to their respective lives. Gabriella moves to Albuquerque's East High School, home of the Wildcats...and--completely coincidentally!--Troy. The show begins with a he-said/she-said recounting of their meeting (think "Summer Lovin'" from Grease) with their friends from the Archetype Depot. Troy's the basketball star, Gabriella's the academic decathelon star, and they both wind up trying out for the high school musical, Juliet and Romeo, written by Shy Asian Musician Girl. In matching teal, the high school drama queen, Sharpay, and her twin brother Ryan (sort of an understudy for Ugly Betty's Marc St. James) conspire against our two star-crossed lovers for the leads in the musical. Throw in the must-win brain brawl and the big game--both in conflict with the musical call-backs--and, well, you get the idea. It all works out, and all main characters (except Ryan, 'cause this is Disney...) pair up in the end.
Straight outta London's West End (video trailer) where it ran for two years at Drury Lane, this revival of Lerner & Loewe's My Fair Lady is only at the Paramount through Sunday, May 4. Tickets are $25-$72. Anglophiles, if you have the slightest inclination, we advise you to hoof it on over; this one's as English as a tea, fried tomato and egg breakfast--as befits a Cameron Mackintosh and the National Theatre of Great Britain production. Musical fans, you won't believe the number of hit songs. Patriots, there's a good joke about the French. Talk about crowd-pleasing.
The 4th Annual Care for the Market luncheon, held yesterday at The Paramount Theatre, was a wake-up call for us. When we think of Pike Place Market, we picture ourselves gorging on Beecher's macaroni and cheese. We envision ourselves carrying bundles of ginormous dahlias, sampling oh-my-god-these-are-good peaches, and listening to the funky sounds of street musicians. We don't necessarily think of meals and housing for low-income senior citizens, childcare for those who can't otherwise afford it, and a food bank that gives a quarter of a million bags of groceries to neighbors in need each year. But yesterday, were asked to think of the historical and social importance of the market.
magazine claims, "You can't swing a dead cat this time of year without hitting a Top 10 List." Never one to waste a perfectly good dead cat, we decided to take a swing and create a Top Random-Number Shows Seattlest Saw This Year. And now, without any further ado, here's how your favorite bloggers broke down the year:
We start things off this weekend with a simple two words from Donte: Muthafucking Justice!
Earl Greyhound was scheduled to play the Croc way the hell back in January, but before they could bring their Zeppelin-heavy rock to town, they wrecked their van and cancelled the show. Boo. But now we have evidence to support our folks’ oft-spoken belief that (shitty) things happen for a reason: Greyhound is playing the Paramount Wednesday night—and they’re opening for Chris Cornell.
The triple play kicks off at 7pm tonight at the Paramount Theatre: Chaplin's One A.M., The Count,
Monday the 10th, at 7pm, the Paramount Theatre presents Charlie Chaplin's 51st, 52nd, and 53rd films, all from 1916: The Floorwalker, The Fireman, and The Vagabond. They're all half-hour or so shorts from early on in his Mutual Films era, and feature Chaplin's genius for environmental comedy, with mishaps with escalators and fire poles.
SILENT MOVIES: It's Week II of the Paramount's Harold Lloyd retrospective. Silent Movie Mondays brings you Dennis James on the Mighty Wurlitzer Organ and ought to be on one of those things-to-do-before-you-die list because that's just the kind of experience it is. Of course, if you're into fast-paced comedies, it's just something-to-do-tonight and there's no reason to make a big fuss about it. Trader Joe's is the sponsor, by the way, and they're being generous with free snacks in the lobby.
HAROLD LLOYD: Tonight kicks off a month-long retrospective of the films of Harold Lloyd [learn more!], with Grandma's Boy and Dr. Jack.
One of the great things about the German Expressionist era is that the films are so much fun to watch -- they're some of the hardest working visuals in show business. But at the Paramount, you also get Dennis James on the Mighty (Liberace-Lookin') Wurlitzer, and for the first time at the Paramount, we enjoyed the sound up in the balcony. Whoever placed the organ's pipes knew what they were doing -- we felt like we had our "stereophonic" headphones on. And who knew a pipe organ could create such a snappy snare drum roll?
MUSIC: Normally, we try to avoid El Corazon at all costs, but there’s an early show there today for a very good cause. During last week’s storm, Kate Fleming, a talented voice-over artist, died while attempting to save the audio gear in her home studio. Tonight’s show—featuring Speaker Speaker, Patience Please, Megasapian, In the Empty City, and more—is in Kate’s memory, with the money benefitting her family.
>>>EMP, 6pm. First The Police's Andy Summers gets interviewed by EMP Senior Curator, Jasen Emmons. Then he signs his book, One Train Later: A Memoir. You need tickets to stand in the "Don't Stand So Close To Me" book-signing line, available with purchase of the book from University Book Store. Andy will sign one piece of memorabilia per copy of his book. Did we mention he has a book out? $5 at the door, free for Museum members.
Now that it officially feels like spring, it's time to start thinking about summer, and more specifically, the summer concert season. While the Bumbershoot lineup has been partially announced, and Sasquatch is right around the corner, there's a whole bunch of big shows going on sale this weekend. Cast your eyes upon their collective majesty:
The Paramount Theatre's Silent Movie Mondays during February are actually concerts in disguise. Yes, yes, silent movies are great. Seattlest laments the advent of the talkie on a daily basis. Yes, yes, seeing one of Hollywood's first stars, Gloria Swanson, on the big screen is a great opportunity that shouldn't be missed. But the real reason to be at the Paramount on Monday is that Dennis James will be providing live musical accompaniment.
That construction near the Paramount Theatre is phase one of Sound Transit's plan to turn the Downtown bus tunnel into a bus & train tunnel. The Pine Street Stub Tunnel is what they are building now--a spur off of the main line which will allow trains to turnaround. Pine Street has been reduced to two westbound lanes during construction, and is now a teeming river of frustrated drivers on Paramount event nights. Try to avoid it on your way to the February 24th Ashlee Simpson concert.