For ballerinas, Swan Lake is a sought-after, tough, and rewarding double role: Odette the good swan and Odile the evil swan. But it all began with the music. In 1875 Tchaikovsky got the commission from the Bolshoi for a full-length ballet based on the Russian folk-tale of an enchanted swan and the handsome prince who falls in love with her; he composed a lush symphonic score that offers choreographers both languid melodic lines and lively melodies. (Familiar plot: boy meets swan, boy betrays and loses swan, swan commits suicide, boy despairs.) The Swan Lake we know today--indeed, the whole notion of ballerina-as-swan (one speaks of "a ballet of swans")--evolved from this specific piece of theater, grounded in the 19th century conventions of classical ballet, with its reliance on a rigid sequence of dances (waltz-solo-march-action scene). more ›

Depending on how quickly we post this, there are two more showings of the Pacific Northwest Ballet Laugh Out Loud Festival's Program B today, at 1 and 7 p.m. Tickets are $20-$80. We don't know about you, but with all the sleet and snow this weekend, we've been craving some silly indoor festivities. This fills the bill to a T. more ›

"Ah, this is ballet," sighed one white-haired woman to another. And then, for emphasis, "This is ballet." Originally choreographed by George Balanchine, this is Francia Russell's staging of the master's A Midsummer Night's Dream (at McCaw Hall through April 13, tickets $20-$150). It's "real" ballet in the way that a Cheever short story signifies the New Yorker. But we're not here to beat up on oldsters, according to our parole officer--and neither is the Peter Boal-led Pacific Northwest Ballet, which approached the work with a captivating intensity, driving straight for its muscular, passionate heart. more ›

PNB's Director's Choice opened last night (through March 22 at McCaw Hall, 321 Mercer St; tickets: $20-$150) with a mixed program that seemed designed to rouse sleepers and ruffle feathers. Seattle is not really a walk-out-in-a-huff town--it's more likely to seethe-silently-and-save-up-catty-comments. But still, we did see two separate people march out of William Forsythe's One Flat Thing, reproduced, secure in the knowledge that it was the last piece on the bill. more ›