The best part about The Big Picture was not eating popcorn from a Veuve Clicquot bucket, or the bar. The best part was listening to the two older couples behind us, who couldn't have been happier with having wine in their seats: "I can't wait to tell everyone that I saw a movie at El Gaucho and drank wine!" The only real negative: the sound system isn't as good as the rest of the......

Monday started even earlier than Sunday with the Coen Brothers' heavily-touted No Country for Old Men. The elegantly slow-moving picture (care of cinematographer Roger Deakins) lives up to the hype, so much so that we can take it as their formal cinematic apology for their abysmal duo Intolerable Cruelty and The Ladykillers. Ethan, Joel, we forgive you. Especially if it means that you won't sic scary-as-hell psycho-killer Javier Bardem on us. Next up was Juno,......

As we enter the final days of this year's SketchFest, let's take a walk down memory lane, all the way back to the heady times of the previous weekend: Last Saturday night, three members of Seattlest's collective entity assembled ourselves in a Voltron-like fashion for some comedy at the Capitol Hill Arts Center. We were there for the performances of two troupes, San Francisco's Prank the Dean and NYC's Elephant Larry. Prank the Dean consists......