Jeremy: You know, I find it kind of funny: for a show about how theater screwed up, there was very little discussion of how theater is relevant. Mike Daisey seemed to concentrate exclusively on one aspect of the U.S. theater industry--the big regional theaters, like Seattle Rep or the Oregon Shakespeare Festival--and blamed them for their strange business choices. Not that he doesn't have a point, but it seems to dodge (or presuppose) the question: what does theater do that's so important? I have my own thoughts on the matter, but really, Daisey seemed to take it as a given.
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Results tagged “howtheaterfailedamerica”
Continue reading "American Theater: Not Dead Yet? A Seattlest Debate"
at the Capitol Hill Arts Center. Daisey takes aim at the theater for its manifold failures: its pretentions, its disconnect from the world around it, its self-satisfaction. (Check out a five-minute sample over at the Slog.)
Continue reading "Get Out This Weekend: Mike Daisey's How Theater Failed America"
Monologuist and fascinating human being Mike Daisey arrives in town next week for a Jan 18 - Feb 3 run of his show Monopoly! at CHAC, followed by a shorter try-out of his newest piece, How Theater Failed America. We got Daisey on the horn the other day and took a walk down memory lane with him, a la Dick Cavett, to soften him up before surprising him with hard-hitting questions about how many pictures he posts on his blog. Then we hung up and bought a ticket to the show.
Continue reading "We Interview: Mike Daisey, About His Monopoly On Funny, Fiery Monologues"
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