What are you supposed to say about a Holocaust play? The Last Letter at New City Theatre (Fri. & Sat. 8 p.m., tix $15) is good, it's worth seeing, but in a strange way that's not saying much because you're talking about the story itself, not the performance. But then again, that may say as much about New City's artistic choices as anything: sometimes, less is more, and revealing the story is mostly a matter of getting out of the way.
New City Lets The Last Letter Speak For Itself
Indians in the Mist
Many thoughts crossed our mind last night as we left the showing of Edward Curtis's , Curtis's work bears witness to the fact that early film sucked. The narrative is disjointed, the story thin and hard to follow. It really just proves that people (or at least Americans) love technical gadgetry for its own sake, and are willing to embrace an impoverished experience for the novelty.
Can't Miss It: Wednesday
CLASSIC FILM: The spaghetti western The Good, the Bad, and the Ugly, starring Clint Eastwood, plays at SIFF Cinema. This classic film has the classic themes of crosses, double crosses, and treasure! Then go home and rent Unforgiven to see how Eastwood’s work has grown. Or not.
We Review: The Diary of Anne Frank
The Diary of Anne Frank @ the Intiman // through May 17 // // Tickets $10-$50 // Special talks and events on March 31, April 6, 10, 27, 28 and May 3
Get Out: The Two of Us at SIFF Cinema
When we looked at tonight's SIFF Cinema schedule, what first caught our eye was the first part of the double feature: 10 Years of Rialto Trailers. Thinking it would be a great way to figure out which noir films we should see during the rest of the festival, and get a crash course in the genre, we decided to check it out. Plus, we love trailers.
Get Out: Imaginary Witness at SIFF Cinema
Starting tomorrow night, SIFF Cinema is showing Imaginary Witness: Hollywood and the Holocaust, a documentary that examines Hollywood's relationship and depiction of one of the 20th Century's defining events.

