Besides being in the running for Owner of the World's Most Glamorous Name, Katjana Vadeboncoeur plays the maternal hen Aunt Julia in blahblahblahBANG at On the Boards. To make a point of it, she sips then spits up her tea into a cup, complete with birdlike neck spasms, and hands it to her beloved, coddled nephew Yorgen Tesman -- who drinks it, onstage, to an audience of wrinkled noses. If you're an Ibsen fan (blahblahblahBANG is WET's precocious interpretation of Hedda Gabler) this subtextual underlining may just elicit a desire to see the original. The difference here is that it's not a matter of moral fiber or willfulness. WET's cast reacts to their socially caged life with the stereotyped behavior of unhappy parrots, literally climbing the walls. Again and again, WET reminds you that they are real people doing real things, disgusting, sexy, risky things. If it's not "perfect," it's compelling as a high-wire act.
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Results tagged “heddagabler”
We Review: blahblahblahBANG @ On the Boards
Get Out Thursday: blahblahblahBANG @ OTB
Those crazy kids at WET have put Ibsen's Hedda Gabler on a crash diet -- the subtitle is "A Pistol Fit in One Act" -- and added what they call "dance and circus vocabulary" to the mix. According to the Weekly,
The show is “movement intense,” says director Jennifer Zeyl; actors can and do literally run up the walls.So it won't be your usual neurotic drawing room drama, where people stand there stiffly and occasionally gesture. Directed by Jennifer Zeyl, the adaptation was written by Matt Starritt, a multi-talented fellow whom we sat next to at a WET performance once and whose existence we can vouch for personally.
Movie, March, Toga on Saturday
This Saturday offers at least three ways to make a difference in Seattle, or at least look like you care whilst furthering your own selfish interests.
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