If you've yet to hear Barton Carroll's work, you should get on it. There's a Billy Braggish quality to it, a little Bruce Springsteen. There's a little Townes Van Zandt and Guy Clark going on there, maybe even a little bit of the Pogues. His guitar work isn't necessarily extraordinary, but it builds cascading walls of sound that wrap around you, creating a nice little room where the songs dance amid filtered light and images of longing. His stories aren't afraid to back off and let the instruments go for a spell. His voice cracks now and then the way skin cracks on a well-worked pair of hands. Honest is the best word for it.
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Where Seattlest Interviews Barton Carroll
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