Saturday, Tera will give herself a VIP tour at the opening of Aritzia. She will follow this potentially hectic event by introducing a friend to her newest wine obsession - Twisted Cork. Sunday she will trek to Qwest and root for Chicago, uh, eh, oops...Seattle. Yes, root for the Seahawks. Jack's heading to the Showbox proper tonight to see Canadian indie pop band Stars. Sunday, he's hoping to see Rex Grossman slip into old... more ›

Local filmmaker, occasional pub trivia host, and friend of Seattlest Dom Zook blogged on September 19 that he's moving to LA.

I’ve been a stalwart Seattle fan for most of my adult life. I love this town, even though some of the people who govern it are slightly “challenged”. I love making movies in this town… but I think I’ve gone in depth about my issues here. Many have wondered why I’ve stayed so long in a town that’s only moderately supportive of its filmmakers. Why I’ve stayed in a town where actual, paying film gigs are about as scarce as tumbleweeds on Pike St. Why I’ve stayed for nearly five years at a job that’s been both good and bad to me just so I could make movies in this town.

If you scroll back through the last couple of years’ worth of posts you’ll see the trials and tribulations. I did it all. Cast negotiations, legal paperwork, business plans, investor talks, budget write-ups, etc. And frankly I had a great plan with a fantastic script (written by Faye Hoerauf and Jessica Baxter) and I knew it would be a hit. Modest hit, maybe, but a hit. Unfortunately no one was buying. No one of influence believed the script would go far. Despite at least one major name in the cast and several more just waiting for an investor to come forward, despite several awards for the script alone, despite a rock-solid business plan with proven talent (and I’m not even talking about me, Faye or Jessica here!), we were denied. more ›

"It's easy to hate you!" said one player last night at the Old Pequliar. more ›

The goal is to write, shoot, edit and otherwise produce a short film in 48 hours or less. Beyond lining up a crew, equipment and possibly a cast and locations, you are forbidden from preparing in any other way. Pre-planning is next to impossible anyway because you don't know what genre you're preparing for until the project begins. Teams choose a genre out of a hat and are given three story elements - a character, a line of dialogue and a prop - with which to write their script. All the elements must exist in the final movie and it must be turned in on time to be considered for any awards. We're competing against 40 other teams this year, which is amazing considering last year we barely broke 20. more ›