Live Girls' world premiere of Victoria Stewart's Hardball takes the personal approach. Instead of a detached, clinical analysis of "opinion journalism," Ms. Stewart has written about the personal transformation of a female journalist as she moves from the world of newspapers, sources and facts into the brave new world of opinion blogs, hearsay and rumors.
The Resistable Rise of Rubbish Journalism: Live Girls' World Premiere of Victoria Stewart's Hardball
Jose Gonzalez / Tiny Vipers @ the Showbox
People are strange. They say Ann Coulter is funny. They pay a $20 cover to have a conversation in a club. At the Showbox a few weeks ago, we saw Lavender Diamond, opening for the New Pornographers, cut their set short after telling the audience it was hard to play with all the talking going on. So we were worried heading back to the Showbox for the Jose Gonzalez/Tiny Vipers show because neither of them promised to be able to crush a babbling crowd into submission like the Pornographers could, and did.
Elsewhere in Ist
Seattlest saw a house party get senselessly attacked with a shotgun and end in seven dead. A local senator is debated and their version of the big dig is investigated. To truly get to the bottom of it they interview the writer Jonathan Raban.
See the Woman Who Couldn't Land a White-Collar Job -- Only a Five Spot!
Love her, hate her, or wish she'd stop looking down her nose at the people she's writing about, Barbara Ehrenreich knows how lance the zeitgeist and get conversations flowing. She's the oil to Ann Coulter's vinegar. And she's got a new book out: Bait and Switch: The (Futile) Pursuit of the American Dream, in which she pretends to be someone else and searches for a white-collar corporate job. She fails, and damns the white-collar world as one of "economic cruelty." (We hope that wasn't too much of a spoiler.)

