Results tagged “andywarhol”

    

Michael Darling, the Seattle Art Museum's curator of modern and contemporary art, has assembled a surprisingly cool show with , which opened last weekend at SAM and runs through Sept. 7. The post-WWII period saw the apex of high Modernism in painting with the abstract expressionists, led by the likes of Jackson Pollock and Willem de Kooning. They took the Modernists' radical approach to painting to the utmost extreme, by actually separating the brush from the canvas and completely rejecting representational art. At the same time, though, a new group of painters were laying the groundwork of Postmodernism, and were searching for new ways to break free of the canvas.

Joe Dallesandro—former bodyguard at Andy Warhol’s fabled Factory, star of several key Warhol-sponsored cult films in the sixties and seventies, and accidental avatar of the Sexual Revolution—stands outside the W Hotel in downtown Seattle, his back to me. He cuts an almost dangerous-looking figure.

We used to think Andy Warhol's work was amusing.

Like it's not embarrassing enough to just trip and stumble in a public place. A young visitor to the Seattle Art Museum suffered even further embarrassment by tripping and falling into a world famous work of art. The stumbling Seattlite damaged Double Elvis, a piece by Andy Warhol. According to the Slog's report on the incident, the SAM's spokesperson said the piece had been dented and was sent to the museum's conservators for repair.

"They should take off their left socks."

We have to be honest: We were slightly annoyed when we read the email promoting Seattle School's (of Motel fame) latest event. Anything that calls an organization "insanely exuberant" and says that it is putting on one of the "craziest film events in the history of the city" is trying pretty hard to sound zany and exciting.

Tons of classic Spiegelesque wit bombs dropped last night at the Benaroya Hall lecture/slide show/performance. Our favorite was the curt dismissal of Roy Lichtenstein's work at the very start: "He did for comics what Andy Warhol did for soup." Oh, Spiegelman, you dog... You get him!