A Big Washington Welcome for Shen Yun's Family Friendly Falun Gong
This Friday and Saturday (7:30 and 2:30 p.m., respectively; tix $25-$105), Shen Yun/Divine Performing Arts brings their Chinese spectacular to the Paramount Theatre, a show billed as "five millennia in the making." But there's a twist: while Shen Yun and their sponsors note the group "is independent of China's political regime and proud to include artists who practice the Falun Gong meditation," it turns out, the family-friendly stage show is loaded with Falun Gong philosophy, the savvy group having hijacked the cause of Chinese culture to push their own beliefs.
Thanks to Seattlest Flickr pool user (taylor) for an arresting image of protest against Falun Gong's violent suppression.
Their media push has worked, and in the U.S. today, Falun Gong enjoys widespread sympathy (well-deserved in many ways) amongst the American political class. Shen Yun received a royal welcome here in Washington. As the Epoch Times reports, Gov. Gregoire welcomed them saying: "Shen Yun celebrates China’s rich culture and history through the exquisite artistry of music and dance." Patty Murray added, "I appreciate your efforts to use this celebration as a venue for cultural exchange and as a way to add to the cultural landscape of cities around the globe."
But interestingly, the articles and promotional materials typically fail to note the Falun Gong association--beyond simply being a show open to Falun Gong artists, the show itself warps Chinese history and mythology to fit Falun Gong beliefs and serve Falun Gong's political purposes, whether good or ill, and has drawn strong criticism elsewhere. Writing in The Daily Telegraph (UK) last year, Sarah Compton, their dance critic, complained, "what I really object to is that such a politically motivated performance is being smuggled on to stages around Europe in the name of family entertainment."
Chinese-American novelist Gish Jen wrote a scathing critique of Shen Yun in the March 4 New Republic, after seeing their Chinese New Year's show at Radio City Music Hall. (See here for the full article; be aware, it's reprinted on an anti-Falun Gong site with which Gish Jen does not appear to be affiliated.)
"Most of the show was the sort of boilerplate Chinese entertainment we might have found on a cruise ship--one part flowing sleeves, one part Intro to Chinese History and Culture," she wrote. "The pretty music and pretty costumes, well-steeped in 'authenticity,' made for many a happy Asian and non-Asian face in the sold-out hall, my parents' among them. Then began, to our surprise, a program of Falun Gong Dafa agitprop."
Gish's main criticism is that the show's Falun Gong producers have appropriated classic Chinese stories and iconography for their own purposes, and sold the show to naive Western theatres as standard multicultural kitsch. In other words, it might be akin to the Mormons producing a show about Westward Expansion and touring it around the world as the story of how the West was won.
That's not to say people should avoid the show, which is supposed to be incredibly good. Again, Falun Gong has been brutally suppressed by the Chinese government, and despite some claims to the contrary, they do not appear to be a suicide cult or anything. Most observers identify the rapid rise of the group in the Nineties as the outgrowth of the suppression of democracy activists at Tinanmen Square in 1989; denied political freedom, people turned inward and flocked to Falun Gong, which focused on meditation and discouraged the materialism that was essential to Deng Xiaoping's liberalization of the Chinese economy. Today, it's virtually impossible to find unbiased information on the group, which has plugged its cause to American politicos uneasy with China's rise and to human rights groups who sympathize with their very real oppression, while China and its proxies have pushed the idea that the group is a dangerous cult to American anti-cult groups.
But it is interesting to find out that underlying even the most innocent multicultural spectacular is a complex web of cultural, social, and political conflicts, played out before guileless American audiences. This is the sort of thing that should make us all question what we're being fed all the more. Unfortunately, this author won't be making it to Shen Yun this weekend, but if anyone out there is, feel free to share your thoughts or impressions with us by emailing jeremy (at) seattlest.com.
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