Get Out This Weekend: 17th Annual Polish Film Festival

The 17th annual Seattle Polish Film Festival completes the second week of its run this Fri.-Sun. at SIFF Cinema, 321 Mercer St. Tickets are available online for $10 (non-SIFF members) per film.

This weekend is the second and final weekend of the Seattle Polish Film Festival down at SIFF, offering an impressive line-up of contemporary films that challenges the impression that all Polish cinema is Adrzej Wajda: dark, heavy-themed explorations of the war, Communism, and Polish history. (Not that there's anything wrong with Wajda, whose newest masterpiece Katyn comes to SIFF next month.)

Instead, the Polish Film Fest has offered a taste of the vibrant, challenging film being made in Poland today (and why not? this is, after all, the country that gave us Wajda, Kieslowski, and Polanski). And while the festival is already half over, there are still a number of interesting pictures up this weekend, with Sunday shaping us as the day to spend trapped inside the cinema (and what with this weekend's weather report, it's as good a way to spend the day as any).

The two feature films that seem most interesting are both on Sunday night. Magdalena Piekorz's Drowsiness centers on three characters--an actress, doctor, and writer--whose lives have entered a downward spiral of depression and self-loathing but who struggle to find the strength to actually change their circumstances. Tomasz Konecki's A Perfect Girl for My Guy centers on a bisexual love triangle, with themes of feminism and lesbianism that fly in the face of the usual perception of Poland as all conservative Catholic.

The most interesting documentary promises to be Commandant Edelman (on a double-bill with Zietek Sunday afternoon). Marek Edelman is perhaps the definitive Polish-Jewish figure of the second half of the 20th century. One of the few surviving leaders of the Warsaw Ghetto Uprising, Edelman went on to become a well-known cardiologist in Lodz after the war, eventually joining the anti-communist Solidarity movement in the 1980s. In the 1980s, Hanna Krall, one of Poland's leading journalists, wrote a fantastic new journalism-style biography of Edelman (one of the single finest books about the Holocaust you could find--everyone should read this book) called Shielding the Flame. In it, amongst dozens of other unforgettable scenes, she recounts sitting with quietly self-satisfied Edelman at his house in 1983, on the fortieth anniversary of the Ghetto Uprising. Martial law having been declared in an attempt to suppress Solidarity, Edelman--theoretically subject to official state honors--was under house arrest, and the guests hadn't been able to enter. Forty years after surviving the Holocaust and helping lead a ragtag band of insurgents who, trapped in the decimated ghetto, managed to hold off the Nazis for nearly four weeks, Edelman continued fighting for what was right. The showing this Sunday, April 19, as it happens, coincides with the 65th anniversary of the beginning of the uprising.

And on Saturday at 1:30, there will be a screening of five short films, including the visually arresting Birdy. More information about the films is available from the official festival website here.

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