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<title>Seattlest: PNB&apos;s Broadway Festival Hits Its Marks and Then Some</title>
<link>http://seattlest.com/2009/03/20/pnbs_broadway_festival_hits_its_mar.php</link>
<description>All comments for PNB&apos;s Broadway Festival Hits Its Marks and Then Some</description>
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<title>MvB</title>
<link>http://seattlest.com/2009/03/20/pnbs_broadway_festival_hits_its_mar.php#comment-1617936</link>
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<pubDate>Sun, 22 Mar 2009 14:42:52 -0800</pubDate>
<description>&lt;p&gt;Okay, I won&apos;t argue about what you mention here. That&apos;s why I described it as &quot;Broadway-style&quot; ballet--there are some standouts in the cast that take to Broadway hoofing more than others, but there&apos;s no question you&apos;re watching ballet dancers. (Let&apos;s not even get into vocal chops--I was just hoping it wouldn&apos;t be painful and it mostly wasn&apos;t. Though I had no problem, from where I was sitting, hearing &quot;America.&quot;) To me, it was interesting watching ballet translate Broadway--but I can also see the appeal of a more mixed-talent cast.&lt;/p&gt;</description>
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<title>Gary</title>
<link>http://seattlest.com/2009/03/20/pnbs_broadway_festival_hits_its_mar.php#comment-1617738</link>
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<pubDate>Sat, 21 Mar 2009 17:24:42 -0800</pubDate>
<description>&lt;p&gt;I didn&apos;t look up the background of the performers, but they look great doing ballet.  In this show there were parts of the tap that were performed turned out.  I know it takes many years of study to get that hip flexability for ballet, but it needs to be turned off for tap.  And the dancer in the West Side Story bits that needed to be grounded still floated over the stage like ballerinas.  Though they had voice coaches (and I know one of the singers who was brought in to sing from the pit) still just about the only word I could understand from the dances singing was the word &quot;America&quot;.  I&apos;m disappointed because I know Seattle has tap/jazz talent - I&apos;ve seen them on the stage at 5th Avenue.  With the generally high quality of PNB productions and diverse audience they can pull in, I wish they could use the top tap and jazz talent in the city for this show rather than getting what tap &amp; jazz they can out of the best ballet dancers.&lt;/p&gt;</description>
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<title>MvB</title>
<link>http://seattlest.com/2009/03/20/pnbs_broadway_festival_hits_its_mar.php#comment-1617724</link>
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<pubDate>Sat, 21 Mar 2009 16:08:57 -0800</pubDate>
<description>&lt;p&gt;I enjoyed the show quite a bit. As for the tap, you&apos;re incorrect. Jeffrey Stanton studied tap and jazz dance for 10 years, in addition to ballet. If this is the worst thing you&apos;ve ever seen on a Seattle stage, my god, count yourself very, very lucky.&lt;/p&gt;</description>
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<title>Gary</title>
<link>http://seattlest.com/2009/03/20/pnbs_broadway_festival_hits_its_mar.php#comment-1617719</link>
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<pubDate>Sat, 21 Mar 2009 15:53:44 -0800</pubDate>
<description>&lt;p&gt;Did you go see this show? I have season tickets to PNB and this was not only the worst thing I&apos;ve seen them do, but possibly the worst thing I&apos;ve paid to see on a Seattle stage. When you have group of great ballet dancers who have never learned to tap and likely never taken a class in Fossie why choose to perform something your cast cannot do well? If I want to see dancers who are great in their style try to learn and perform styles they don&apos;t do, I&apos;ll watch So You Think You Can Dance. I feel like PNB showing inferiour quality Broadway work to as large of an audience as they get (many of whom don&apos;t know they&apos;re not seeing a true eaxmple of the promised style) is doing more harm than good. This had all the quality of a high school production.&lt;/p&gt;</description>
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