So That's What WaMu Theater Is...

wamutheater.JPGLast week, Seattlest posed the question, "Just what is WaMu Theater?" According to the comments that followed this question, WaMu Theater is an "insincere" "characterless" "uninviting" "concrete cave" with "crappy sound".

Whoa, Seattle. Harsh words.

In the interest of fair reporting, we accepted an invitation to speak with Andrew Roe -- Marketing Director and Talent Buyer for AEG Live. We asked Mr. Roe whether there's more to WaMu Theater than what it appears to be on its face. Is it more than dressy curtains, a stage and some folding chairs? And what about the sound quality?

Here's what he had to say...

On the need for a venue like WaMu Theater:
We opened a market. In cities all over the U.S. they need the 5,000 to 7,000 seated/GA venue. Seattle doesn't have Mercer Arena anymore and there's no band that can sustain a whole year of Gorge or Key Arena size shows. The Paramount is great up to twenty-eight [hundred], but there's nothing in between. The fact is, if we didn't have this building, Daft Punk would have never come to Seattle. Everett and Key are way too arena-like and the Paramount is just too small. So this thing was built to fill a huge void in the Seattle market. That step between the Paramount and the arena shows.

On reports of poor sound quality:
The Daft Punk show was incredible. Everyone I've talked to or heard from agrees. Even The Stranger said they were surprised how good it sounded. And you know what? When it comes to the actual sound, it's theirs, not ours. They bring in their own sound. The Killers brought in their own sound. My Chemical Romance brought in their own sound. There are detailed sound checks before every show and believe me, these bands wouldn't go on stage if they weren't happy. The room sounds great now. Before we converted this place the sound was horrible. It was probably one of the worst sounding rooms in the Northwest. Back when the White Stripes played here it was terrible.

On the curtains:
I've seen what people are saying. The Stranger once called them "the tarted up curtains." These are metal fiber-lined sound curtains that weigh six pounds per square foot. These things deaden the sound in the lobby by like seventy percent. So you can have a conversation when you're in the beer garden now. It's not an echo chamber like it used to be. The thing is, the general public just has no idea what we've done to the place. The people in the business know. They know we spent 7.1 million dollars on improvements, but a lot of the public still think it's a big aircraft hangar with curtains on the walls, which clearly isn't the case. And it's not just curtains, there're sound baffles in every corner of that place -- the floor, the ceiling, everywhere.

On the name WaMu Theater:
I will agree with one big thing that the public has complained about. It's not a theater. It should never have been called a theater. It's a hall is what it is. It's a music hall and it's meant to be uber-generic, so if you're Daft Punk, the room becomes Daft Punk's. Or if you're My Chemical Romance, it becomes My Chemical Romance's room. It's generic on its own but it morphs into whatever the artist makes it, as opposed to it being an imposing theater where you could put band a, b, c,d thru z and it's always going to have the same look and feel that the Moore and the Paramount have.

Seattlest says...
We'll decide for ourselves. Maybe we'll head on down for the Interpol show. However, be warned WaMu Theater -- if we find nothing but Budweiser on tap, you'll so be on notice.

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Comments (3) [rss]

PR fluffing, pure and simple. First, Seattle doesn't "need" a 5,000-7,000 person venue, it already has one; Key Arena. The original recommendation for Key Arena, when the Sonics decided to pack up, was to install a curtain (how innovative!) to cut Key Arena in half to accommodate smaller crowds, more frequently as a means of keeping Key Arena profitable. If AEG really felt an unfulfilled need, why not have your "WaMu Theater" there, where the sound and experience is naturally better. Instead, the Qwest WaMu Theater is scooping up those acts into an inferior space and thus jeopardizing the future of Key Arena. If AEG felt the need apart from Key Arena, why not build a new space, or actually remodel their portion of Qwest Exhibition Center to actually be suitable?

Second, during the initial PR blitz for WaMu Theater, AEG promised "the new WaMu will overcome the Events Center's concert inadequacies" (read: bad reputation) and "state-of-the-art lighting and sound systems are designed to make the space feel more like a real theater." What happened to that promise? Instead, now we get an "it's theirs, not ours. They bring in their own sound." That doesn't sound very state-of-the-art. It really, truly does seem as if they put up some (space-age!) curtains, darkened the windows, patted themselves on the back, and opened the doors. Daft Punk's sound was terrible from a regular concert-goer's perspective. Non-stop distorted bass, that was only masked by the volume of the mids and treble. It was most evident during Kavinsky and Sebastien's set, which was unacceptable sound-wise, using the exact same equipment (and probably sound guy). And yes, their light show was "state-of-the-art" because they invented their proprietary light show and have become icons for it.

A (con)job well done, AEG/WaMu!

ha! Can you honestly believe someone who says something like this?
..it's theirs, not ours. They bring in their own sound.

The main thing they're saying really is it's better than it used to be. And Seattlest, from what I remember your going to be shelling out a bit for those drinks.

BR checking in again.

I did not want to go WaMU but ended up getting cheap tix to the Killers so I went and guess what? The venue exceeded my expectations and the sound was great. The Killers also exceeded my expectations. On this night they at least had an $8 Redhook.

I go back for Daft Punk and once again great sound and a great show. I'm liking this venue for it being so big. Beer? Only Bud and Bud Light! I had already stocked plenty o beer in my belly at Collins (Stone, Boundary Bay, Walking Man) but I was counting on one Redhook at the show. Bring back the mediocre microbrew!!

Next stop here: Interpol.

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