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A Writer's Work is Never Done

flight.jpgOnce upon a time you could write a book on the typewriter in your attic, bundle the pages together with some butcher paper and twine and schlep it to New York to give to your publisher and then forget about the whole thing until it was time to blow the dust off the keys for the next go round. Or so we imagine it. Then came the critics. And then the book tours. Then Amazon.com and the damned reader reviews. Then the blogs. Now you gotta respond to all that shit. Any critique that goes unanswered, regardless of how obscure the publication or how ridiculous the charge, is out there for the world to see. A criticism of an author's work, floating around out there on the internets somewhere, is indistinguishable from a hard fact until the power of Google puts it in front of the author himself and he responds.

Ask Sherman Alexie. We were reading the Elegant Variation blog yesterday and we came across a post entitled "Writers Behaving Badly" that details the story of some newspaper reviewer from the Rocky Mountain Times who disparaged Alexie's most recent book because it went direct to paperback. Sherman called her out by name in an interview:

Part of it is that I’m responding to a review in the Rocky Mountain News by Jenny Shank. She thought Black Cat (Flight’s publisher) hated the book, and publishing a paperback original was like a studio not allowing a movie to be reviewed before its release. It was shocking to me that someone with very little experience in publishing like Jenny Shank would even have a guess at that. The arrogance was astonishing.

So, maybe Sherman Alexie can respond to this: I haven't read his latest book, but I'm sure that the Ridnour piece he wrote for the Stranger is the best work he's done in years. At least it's the only work of his I've read in that time. Too bad it went direct to alt-weekly--his publisher obviously didn't think much of it.

C'mon, Google, do your dirty work.

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Comments [rss]

  • Seth

    "fearless writer" goes down in history with "brilliantly imagined" and "the novel only X could write" as completely meaningless book review phrases.



    There are fearful writers somewhere?

  • Dan

    Pauls, I doubt it, and now my guess that he finds obscure reviews of himself via Google is blown out of the water: I just bought this book and one of the blurbs on the back is "A absolutely fearless writer" from the Rocky Mountain News--the same newspaper that printed the "Unfortunately, Flight is disappointing, and the signs are that the publisher knew it - why else would a novel by such a major writer be brought out as a paperback original?" review, although the quotes seem to be from different pieces.

  • Pauls

    A brilliant strategy. Maybe Sherman Alexie reads Seattlest?

  • Jon

    Finally getting around to reading "Ten Little Indians," but I must say that that Ridnour piece was the shiznit.

  • Jeremy M. Barker

    Black Cat is a trade paper original imprint of Grove/Atlantic that they intend to load up with radical, controversial and experimental lit. I actually find Alexie a tiresome bore of a read, but the reviewer doesn't know her American literary history. Grove/Atlantic relaunched the Black Cat imprint because in the 1960s it published such nobodies as Kerouac, Brecht, Samuel Beckett, Eugene Ionesco, etc., etc., etc. I don't know for certain, but my guess is Grove/Atlantic is pushing some of their known commodities into Black Cat to raise its profile. The book sections (what few are left) still resist reviews of paperback originals. But Alexie's status helps ensure a review, and by extension helps break down that wall and increase the likelihood that other Black Cat books get published.



    There was actually a pretty cool fold out chart of Black Cat/Grove's history in the Believer a while back, but it's no on their website.

  • MvB

    Maybe it was because it was so local. It's a great piece -- it's persuasive as hell. Go Sherman!

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