We Forgive Peter Bjorn And John, But Neumos Can Suck It
Fucking Neumos. Every time we go to a show there, we swear it's the last. Then some amazing band comes to town -- to Neumos -- and we think, Maybe it won't be so bad this time, but then it is bad and not just bad, but worse than the last time. And so it is that whenever we see the N-word on the calendar next to a band we love, our lungs heave a heavy sigh, followed by a guttural and unearthly sound that can only be described as part groan and part, "Fuuuuuuuuuuuuuck."
To be sure, what little we saw of Peter Bjorn and John's Sunday night performance was truly exceptional. For a three-piece, their live sound was huge and representative of their recorded work. They were energetic, charming and seemed genuinely pleased with their Seattle reception. We wish we could have stayed for more than four songs.
So what happened Sunday night that ruffled our feathers so? Having tickets for the late show (the doors for which were scheduled to open at 8pm according to the Neumos website), we showed up around 8:30, only to find out that their first set -- the "early" show -- hadn't ended and they'd open the doors for the second show at 9:00. Fine. We left, went to the Satellite for a beer, came back, got in line. Once inside (after 10:00) we waited another hour before opening band Fujiya & Miyagi began around 11:00. PB&J finally took the stage around midnight. We're fully aware of the fact that there's going to be some waiting involved. We know when we go to the Showbox at 8pm, we'll be waiting until 9:30 for the band to start. They've got drinks to sell after all. We get that. But this was beyond ridiculous.
To review: Neumos website says doors at 8pm, PB&J actually perform over four hours later.
In all fairness, we can't claim to know who's really to blame here -- whether it was Neumos or Peter Bjorn and John. For all we know, it's completely the band's fault. They did, after all, play a live set for KEXP at the Triple door, ending at 5pm. Why they thought they could seamlessly be ready to play at another venue an hour later is beyond us. But we can forgive them. They obviously didn't know how popular they are in Seattle or they wouldn't have booked such a shitty venue. They wouldn't have had to schedule a second show to take care of all the fans left behind by the quickly sold-out show.
So maybe the little rock club that should have stayed closed had nothing to do with when the band actually got down to business, but that doesn't get them off the hook. It's still another experience we'll associate with the place. It's still another wasted evening dealing with the asshole door staff, piss-poor sight-lines and a venue better suited for for coked-up glowstick wielding ravers.
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