From WBEZ In Chicago And Showtime, Win An Ira Glass Poster

Seattlest went on March 7, when the live show hit the Paramount, and we can confirm that the Rakoff and Savage stories are solid. (We're also happy that Alexa Junge's piece, about her experiences as a female TV scriptwriter, isn't included -- it was funny but banal, and there's a reason we refer to it as a "piece" and not a "story.")
If they include Savage's performance from Seattle, enjoy the knowledge that Dan was doing a gotta-pee dance by the end of the story, but that they made him come back on stage to do a pickup line before sweet relief was his.
The best parts of the live show, unfortunately, don't really translate to radio -- Chris Ware's animation for the opening story, about kids who built fake TV cameras; and Glass' discussion with Chris Wilcha, who directed the TV version for Showtime.
If you weren't there, you missed a classic illustration of why Errol Morris doesn't appear in his own films -- nodding along with your interviewees looks ridiculous, as Glass found out. (See the photo at the top of this post, and imagine it nodding along while a nice rancher talks about the emotional turmoil of skinning his prized bull.)
Speaking of the TV version: want a poster for it, signed by Ira Glass himself? (It looks a lot like our current crop of ads.) To qualify, tell us in the comments to this post what your favorite This American Life story is, and why. 50 words or less, please. We'll pick a winner at random next Thursday, so get your entries in by Wednesday night. No more than one entry per person, please.
Photo by Flickr user jvoves, from the Chicago live performance.


