Seattlest Interviews Clark Humphrey, author of Vanishing Seattle

vanishingcover.jpg One of Seattlest's favorite Christmas presents this year: Clark Humphrey's Vanishing Seattle, a new entry in Arcadia Publishing's Images of America series by retro-Seattle authority Clark Humphrey. We're a Seattle transplant, ourselves, but we've been interested in Seattle history since we decided we wanted to stay here (about a week after we arrived, as we recall), and we quickly noticed that Humphrey was a consistent, articulate voice advocating for that history.

We wondered if the book would just be an exercise in nostalgia, but it's smarter than that. He explains on his site, MISCmedia: "I want readers to see the book as more than a trip down memory lane, a wistful look back at A Simpler Time. It's meant to be a celebration of the old Seattle, and a call to recapture at least some of its spirit."

Humphrey's probably the most vocal representative of Lesser Seattle, now that Emmett Watson's gone. He also crafts a wicked crossword puzzle. Seattlest emailed him a few questions after finishing the book.

You have a longstanding interest in Seattle history. What specifically led to you compile Vanishing Seattle?
My editor at Arcadia Publishing, Julie Albright, suggested the concept and the title. I owe it all to her.

Vanishing Seattle has received very favorable response, including a rave review from the Seattle Times and sellouts in bookstores throughout the city. Does the book's success surprise you?
My editor kept saying it was going to be a smash. I didn't believe her, in my typical "new Seattle" cynicism. Silly me.

On your site, you say that part of your motivation for compiling the book is "a celebration of the old Seattle, and a call to recapture at least some of its spirit." What defines "old Seattle" to you?
An informality, a self-deprecating sense of humor, and an innocent optimism for a more prosperous future.

Is there a particular event or series of events that mark when old Seattle became new Seattle?
Probably September 1991 through April 1994. That was the lifespan of Nirvana as a hit band. It was also when The Stranger and KNDD appeared, and Frederick & Nelson and the Dog House and Pay 'n Save disappeared.

I arrived in Seattle in '93, and remember the last days of a lot of the places featured in your book. I always meant to eat at Twin Teepees, for example, and was disappointed when it closed down before I could get around to it. For people who are new to the region -- or even people who are too young to remember much of old Seattle -- where (other than miscmedia.com) are good places to find info about its spirit and institutions?
Steve Callihan's Seattle Lexicon. Marlow Harris's Roadside Seattle. Don Glover's Esoteric Seattle, unfortunately out of date with one or two already-disappeared links. And, of course, historylink.org.

I'm guessing that many people have already told you they can't believe you didn't include _____. (My fill-in: Two Dagos from Texas.) Given that you have a keen sense of Seattle's history, do any of their post-publication suggestions surprise you?
I've had no true surprises yet. Certainly everybody who's lived here has their own memories of lost time. I was given a strict format and page count, and couldn't find useable pictures of some places.

As a Seattle transplant, I have to ask you: Do you really believe that the disappearance of Jay Jacobs is as culturally significant in Seattle as, say, the disappearance of Chubby & Tubby or Rainier Beer?
If you'd ever shopped or worked at Jay Jacobs, or remember its ads, or been a local teenager or the parent of a local teenager, yeah, it's important.

Are there any now-vanished parts of Seattle that you wouldn't include in your book, or that you don't feel are significant?
Everything has significance. That's one of my messages. The universal is found in the specific. The stuff of everyday life is tremendously important. Everything counts in large amounts, as a non-Seattle band once said.

Do you think the characteristics that define new Seattle are themselves a product of Seattle, or do they reflect influences arriving from outside the area?
Gates is definitely from here. So are the Nordstroms. So were the founders of the original Starbucks, even though Howard Schultz is a product of Brooklyn.

I've heard people propose that Tacoma or Portland or even Kansas City are now what Seattle used to be. Is that a line of argument that you agree with?
Perhaps, in the sense of having kept more old buildings standing (though in the cases of Tacoma and Kansas City, that's largely because few wanted to build anything to replace them with).

Are there specific places, things, or institutions that have started up since '94 that you feel still capture the feel of old Seattle?
The Lava Lounge and Shorty's in Belltown; Wall of Sound Records and Linda's Tavern on East Pine; the Airport Way retail/bar strip in Georgetown; even, to some extent, the Museum of Flight.

Your book, obviously, focuses on things that have disappeared. What icons of old Seattle, major or minor, are still standing?
The annual hydroplane races. Dick's Drive-Ins. The Little Red Hen dance bar in Green Lake; the Baranov restaurant in Greenwood; the Two Bells in Belltown. The ASUW Experimental College. El Centro de la Raza. The main Goodwill store (tentatively set to be replaced by a Target). Bumbershoot. The Grand Illusion theater. Sunset Lanes and the Totem House in Ballard. Beth's Cafe and the Peutz driving range on Aurora. Ivar's. And that's just the short list. Enjoy and support them all.


Comments (8) [rss]

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I bought three copies of the book, one each for my dad and his brother and sister. They were thrilled.

Worth mentioning, too, that Clark is editor of the Belltown Messenger, a paper dedicated to preserving as much as possible of a neighborhood in rapid transition.

If we're going to mention it (and I should've), we should provide a link.

Bill Gates Sr. is from B-Town that would be Bremerton baby!

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What is the Baranov restaurant in Greenwood?

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I shopped at Jay Jacobs and was thrilled when it finally collapsed. That place was hideous: dark, crowded. Their stores were grey. GREY! Grey does not invite long hours of shopping. Jay Jacobs sucked. It was never on the same level of quirkiness as Chubby & Tubby or Rainier Beer. Did my grade school music teacher write a song inspired by Jay Jacobs? No. But he did write a song inspired by Rainer Beer ads. ("Artesians, artesians, that is what we are. We don't ride upon a bus or travel in a car...")

At least as significant as Jay Jacobs was the Squire Shop, a chain of teen-oriented clothing stores whose ads ran relentlessly on Top 40 radio in the '70s. The company also ran a hydroplane in the Seafair races for many years.

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This book was a total hit with my family at Christmas! Everyone was fighting to read it and my family has TONS of Seattle books. There really is something special about this particular book.

Yes, losing Jay Jacobs was a sad day for Debbie Gibson hat wearing teenagers in the PNW!

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