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Empty Space, Empty Pockets

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What's the kindest thing you can say about the Empty Space Theatre closing its doors after 35 years? It can't be this, in the comments section over on the Stranger's Slog:

No more life support for dying theaters. E[mpty] S[pace] should have gone under 10 years ago. Creative destruction is important to arts scenes. Energy that could have gone into pulling together a new theater was dumped into propping up a dying one.

That commenter, friends, is Dan Savage, the Stranger's editor. It's worth following the whole thread because then former Seattle Weekly theatre editor John Longenbaugh lays into Dan, tempers flare, and the commentary spills out of the comment section and into the Slog proper before a bemused readership.

Savage's prescriptive "energetics" reading aside, the real problem with the Empty Space was laid out in the Stranger's pages a while ago by Matthew Richter, in his analysis of the never-ending non-profit shuffle to make ends meet. Truth be told, it's not just mid-sized companies that are struggling. Major arts groups are essentially living paycheck to paycheck, and putting groceries on the credit card. Seattle Symphony, with no symphonic competition as such, just announced a cumulative deficit of over $3 million.

Empty Space's Board Chair, Erik Blachford, put his finger on a sizable problem: the theatre had a budget of $750,000 and had eight board members. That's far too few. 20 or 30 would be in the ballpark. But given the Space's inability to stay put and long history of fiscal struggle, it's likely that that was simply last problem. It must be frustrating to Empty Space supporters that at the end the people who decided to pull the plug are not the founders or the creative team, but the crop of Board members who were left, unable to persuade anyone else to join them.

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Comments [rss]

  • John Longenbaugh

    best defintion of comedy versus tragedy comes via Mel Brooks:



    "Tragedy is when I get a splinter in my finger.



    Comedy is when you fall into an open sewer and die."

  • MvB

    I don't know if I give a good goddamn about theatre/theater, but I do think we're putting needless stress on people with dyslexia by not choosing one or the other.



    But then I'm also perturbed by "forgo" in place of "forego." Even the New Yorker is doing it. The word "fore" does not mean "for," just like "care" does not mean "car." That's weird to me.

  • Seth

    I think it's sort of funny that a theater person would describe "losing serious theater companies" as a tragedy. Isn't a tragedy more like killing your father and sleeping with your mother, or committing suicide while your lover sleeps or whatever?

  • John Longenbaugh

    Ouch. Yeah, everything that was said prior to the announcement of the Empty Space closure does seem to be trivial bullshit.



    But that's sort of a given for Seattle media.



    While this town has been losing all of its serious theatre companies, institutions, and artists in the past decade, the local media has been either trivial or unfocused. It's a tragedy but one that this town may deserve.



    Dan and the rest of the Stranger staff seem to have an extraordinary interest in me, considering that I quit the staff of the Seattle Weekly back in 2001 (Five YEARS ago, people). But this is still as much a large town and a small city, and it's hard to keep things interesting when you're always striving to be the current provocateur.



    And to all of you who really give a good goddamn as to the spelling of "theatre" or "theater?" Get a life.

  • MvB

    Oh, that's right, the "Theatre Is Not Virtuous" post did kick things off! And then Charles Mudede posted an mp3 of himself reading Longenbaugh's comments with a plummy, classicist's diction, and wait, weren't there spitballs?



    I do agree that theatre doesn't need to be "your vegetables." If later someone comes to feel that theatre has been a valuable resource (lots of fiber) in their life, that's their call. But, to belabor the food metaphor mercilessly, it had better appeal to your particular tastebuds first.



    But then I also dislike spelling it theatre.

  • Actually, Dan and Mr. Longenwhateverthefuck started their mutual bitch slapping on an earlier thread about theater: http://www.thestranger.com/blog/2006/10/re_theater_is_not_vi.php

    It was a shame really, because I liked the original idea of the post (it reminds me of Nick Hornsby's principle that reading "the great works" of fiction will not make your life any better or worse, really, so just read what you like) and those two babies turned it into a MeMeMe! festival that the rest of us could have done without.

    Honestly, if this were the seventh grade (and they are both acting like it is), I'd say they're hot for each other.

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