For those of us compulsive channel-changers whose dials aren't permanently affixed to KEXP or NPR, finding good stuff on the radio can be maddening.
Consider KBSG, the moldy oldies station at 97.3 FM. Upon its 1988 inception, "oldies" seemed to mean Top-40 hits from the mid-'50s to late '60s, emphasizing seminal artists (Chuck Berry, Little Richard, Elvis) as well as Motown and the British Invasion. Then, sometime in the '90s, KBSG introduced '70s rock (the Eagles, Elton John, etc.) to its narrow playlist, crowding those '50s and '60s artists for airtime. Earlier this year, KBSG again broadened its definition of oldies, most notably by adding late-'70s, disco-infused pop, further pushing those '50s/'60s artists into the background.
Apparently KBSG defines an oldie not by its year of origin, but by the years elapsed since its original popularity, which currently clocks in at around 25. By 2010, we expect KBSG will be playing so-called oldies by Madonna and U2 alongside those of Fats Domino. We figure this misguided programming is consistent with national trends in the radio biz, though there's little doubt that KBSG's ownership values its shareholders more than its listeners.
Because KBSG will eventually lose its baby-boomer audience to attrition, they best lure subsequent generations into the fold so they too can feel nostalgic about the music of their respective youths. For many of us post-boomers, however, the appeal of an oldies format isn't nostalgia, but to hear music that's older than we are, music that's theoretically "new" to us. Unfortunately, hearing "Brown-Eyed Girl" over and over is just as annoying as "MMMBop," but we continue to check in anyway, in the hopes of happening across such undeniable classics as "Johnny B. Goode."
We've also started tuning in to KGHO, at 92.9 FM. The Grays Harbor-based station began broadcasting here last summer through a Capitol Hill translator. It plays much of the same stuff as KBSG, but it also drops in more obscure tunes that KBSG has never heard of, like Donovan's "There is a Mountain" and Charlie Rich's "Mohair Sam." KGHO is obstensibly commercial-free, with long, DJ-less sets interrupted only by station identification. Better still, it shuns such KBSG hallmarks as insipid "on-air personalities," soccer-mom pandering, and incessant insistence on "Good Times and Great Oldies!" And, perhaps unintentionally, KGHO is faithful to the era it celebrates: it broadcasts in glorious mono.
Anyway, however fruitless, we do encourage both stations to expand their rigid playlists, though not by adding more years to the "oldies era." Instead, they should delve deeper into '50s and '60s rock -- we wanna hear more underrepresented artists like the Sonics, Screamin' Jay Hawkins, and Link Wray (RIP). But that ain't gonna happen. Instead, we're increasingly tempted to write off those stations altogether and get our oldies fix from Shake the Shack.



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